Katherine Araniello and Simon Raven do 'The Golden Gherkin' / 29 July 2015
Unveiled in the same week that the UK government scrapped the Independent Living Fund (ILF), a debate about the artistic merit of Damien Hirst’s 'Charity' (2003 - 2004) ignited on Dao’s FB group.
A 22-foot painted bronze likeness of a Spastics Society (Scope) charity collection box from the 1960's-1970’s depicting a sad disabled child, the press lauded it as a statement about disability rights and exclusion. Why? Because in Hirst’s depiction, the giant charity box has been prized open with a crow bar and it's contents stolen. It's lazy art for lazy people lacking imagination or any understanding of disability representation.
As Mark Harrison commented on FB: “Art business & disability business - match made in heaven... both making money from crips.”
In response artists Katherine Araniello and Simon Raven decided to set up a fake artisan pickled gherkin stall, 'The Golden Gherkin', beside the 'Charity' sculpture installed next to 'The Gherkin' building in central London.
“Come and get your juicy, cheeky gherkin, all in the name of charity… spastic disabled gherkins made on Damien Hirst’s disabled farm…. Free. Dig down deep. £78… Hard to stomach.. Free gherkins.”
You can see edited highlights below. The joke is clearly lost on most city workers who walk past in a hurry. To my mind the dark humour here sums up the cynicism of the city and the corporate art it supports.
Although apparently one man did donate a pound, so maybe all is not lost.
Keywords: charity,corporate funding,damien hirst,disability activists,disability art,disability representation