A Heavy Load. Participatory Review / 18 February 2015
Warning this is not a review. This started as a review. There was an event. Time. Place. Art the dominant subject. I was there to review. Then something happened. I was captured by an idea. I ran amok with it. I got some of it right. I got some of it wrong. I'm still adventuring.
Here is the start of the story.
ON 10th February i attended a Private View. Flo Brooks exhibition Heaving The Lead Cecil Sharp House
Flo Brooks describes liminality as ‘an unstable, mutating in betweeness. She finds it between people, places and time. History is presented in linear fashion. Dates are prominent. But history is not the full story. What happens in the moments between the moments that are captured in books, in script , in picture. Flo Brooks spent time in the Vaughan Williams Memorial Library researching Folk’s social history. She found herself interested inthe wider picture, in the times between the times and sought to find a way in which to interrupt time through an exhibition of acrylics on wood.
I am reminded now as I prepare for my morning coffee of a painting where an hand proffers a cup to a man opening a flask. My presumption is the flask holds tea but it could be beer. My presumption interrupts time. I wait impatiently for the kettle to boil but maybe the characters in the painting experience different thoughts. The flask holder excitement of the appreciation his drink will bring, the cup holder; a sense of suspense, a longing for taste. Such is the liminal. That sense of something happening in the space between frozen moments.
I am attracted to the idea. I feel the suspensions between a pearly person dying buttons in accordance with a secret family recipe, a fork entering a fry up, a saw about to cut, a dance on a beer laden table (will the ales spill?). I feel the liminal myself standing on a stair bound exhibition (will I fall between paintings?) and I try to catch something of the liminal myself in the photos that I take.
Later, I seek to manipulate the images. Abstract them somehow. Cropping, changing colours, messing with brightness and colour. Flo Brooks has done the same with her acrylics. Shapes float the moment recorded. I perceive this as capturing movement. Though it could also be reflections of people surrounding the moment but not of the moment. How can I do this myself?