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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Post Oparalympiad

10 September 2012


A wooden figure, the kind artists use, in shades of blue grey with a bright pink heart on a black background

Digital friends, electronic social life, podcast entertainment, filmed performance: all good, but no substitute for the real live thing. Not living in London, access (including financial access) to the phenomenon known simply as 2012, was problematic. Knowing no local people with any real interest in experiencing the Cultural Olympiad, I actually felt far more isolated than involved.   I was at the mercy of the media, and misleading statements like The Best Disability Arts practitioners...

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Nightmare on Bay Site:

31 August 2012


early evening view over crowds to an overhead acrobat on the beach at weymouth for the Olympic Opening ceremony

Fleeing corridors of dark paperwork, out into a sandy grey void, I am tossed in the silence of confused noise, into a maelstrom of tumbling toupees, wigs, and teeth torn from their roots. The conjuring of the wind exceeds all expectation; toothless heroes of confused origin live and die in its breath. The dirty old man snogs scantily clad fantasies with mouthfuls of sandblasted chips. Cold whistles into motionless bones, and the void consumes fleeting distractions. The lost are torn apart. Wild...

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'Creating the Spectacle!' - poolside.

30 August 2012


On a blue underwater water background,  swirling lines of hair float as a background to the words 'Underwater', fomed from images of bubbles, and 'ConText' formed from sticks and stones

    How does it make you feel? The wheelless man with the microphone nods to his cameraman and leans towards me. I hesitate. The freedom... he prompts. And I eventually respond.   What I really want to do is commandeer the microphone and turn the tables. You see I already know about the freedom. Being wheelborne is my freedom. 'Creating the Spectacle,' is not to be confined to inspiring the wheelborne, it is very much aimed at changing the attitudes of the wheelless. It is not...

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Earthbowl 4 - Homo Sapiens Sapiens.

28 June 2012


An image of the earth from space, set against a black background with partly visible words, the earth orb has its top third removed to create the image od a bowl, and contained within the bowl is the fourth, close up image of Sue in her wheelchair, underw

This is the last in the series. The timing is deliberate - this is my contingency bowl. In case time and tide conspired against 'Creating the Spectacle!' In case the event was cancelled; in case the worst case scenario swallowed up the adventure and the underwater wheelchair disappeared into oblivion. But actually it also makes a rather splendid trophy to present, with a fanfare, to all the successful participants of the most carefully prepared and choreographed adventure - the journey across...

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