The body project. / 29 July 2012
The Hayward Rat (Rattus Flattus) has proved positively inspirational.
There is work queuing up to be let out of my head and there are days when this queue and clamour paralyse my choosing process.
The Hayward Rat has brought Kouros and the body project right up to the front of the queue. The body project aims to resurrect Jessie from 'Bare Boards and Blue Stilettos'.
At the time, she made dramatic impact, but I felt she needed to be a little more explicit. I was asking people to use their imaginations, but not giving them enough to work with and Jessie presented as scary, but also maybe a bit of a full stop.
Ever since '(it might be disability but) it's Still Life' presented at Holton Lee, Jessie has been nagging me. She wanted to join Kouros (the life-size soft sculpture of a nude male); he does have a female companion, and we were thinking they needed a lot more company; a group of them would provide more ammunition for imaginations to run.
So here in the sunshine, I've been working on Jessie's muslin skin and polyester muscles and the new man (who is actually just an up to date version of the old man).
Jessie is named for jesses
those seeking tendrils that
float in the jet stream of no
longer quite-wild birds of prey.
Symbols of symbiosis
like roots drawing Jessie down
to other connections, links
that thread through Jessie's heart.
Jesses, merely symbols or
darker, deeper holds on
Keywords: disability art,exhibition,poetry,sculpture,the chairborne identity,work,Kouros