Chopstick impressions, access and flying solo. / 1 June 2012
I've had a disagreement with a woman in an art gallery. We were discussing; I was talking about the visitors to galleries, she was talking about the exhibitors in general and the artist exhibiting there in particular.
I said that Japanese took art very seriously. She declared that he had a free and easy style and Japanese art was very varied.
We politely agreed to disagree when suddenly she realised what I was trying to say, looked discreetly around, and then totally agreed with me. We both laughed, but quite discreetly; the atmosphere was very solemn.
While Japanese people walk around galleries in a state of solemnity, once positioned in front of a piece they are not intimidated by art; everyone seems keen to deliver their personal interpretation and to express an opinion.
Not much of an exchange, yet quite a milestone for me who speaks very little Japanese. There are moments when I feel I understand other people's conversations, but dialogue is much more tricky.
I am frequently approached by strangers keen to try out their language skills and strange meanderings across a variety of European languages result in painfully protracted monologues that have no real content.
I am however left with the impression that the locals have noticed me, like the way I look and enjoy the humorous positioning of chopsticks in my hair.
The chopsticks probably say more than I do, certainly more than I am aware of, and they seem to give the impression that I am accessible.
Wandering out of my comfort zone,
finding less accessible quarters,
I discover galleries. Indeed many,
all with steps enough to keep me out.
And curbs not dropped enough
to let me pass; but then I find
a rush of angels keen
running to open doors;
eager to be
And I start to ponder
the seldom seen
Keywords: access,art,exhibition,gallery,museums and galleries,other cultures,poetry,tokyo