Currently running on Facebook is a campaign lambasting the Comic Relief 'Red Nose' day because, they say: "(We) are annoyed and distressed at Comic Relief's decision to include David Cameron in the video to this year's charity single by One Direction. They then go on to list all of the atrocities committed by Cameron, aimed at sick and disabled people, and those on benefits or on a low income.
Firstly, let me make it clear that I agree wholeheartedly with this group's stance against Cameron and the present government. What the ConDems are doing to certain sections of our society beggars belief. I have, along with other disabled activists, been in the thick of the fight against them and will continue to take my place alongside those who challenge the government.
However, to boycott an organisation that is the very antithesis of Tory policy, just because of Cameron's appearance in the video is, in my humble opinion, not exactly constructive.
Many years ago, when Comic Relief, Children in Need et al first appeared on the scene, disabled activists throughout the country were appalled at the patronising crap which oozed from our TV screens. Not only did we boycott these appeals but we also tried to make sure that everyone knew why. We chained ourselves to the railings outside TV stations, we leafleted and a few intrepid souls even managed to gate-crash televised events to publicise our cause. "Piss on pity", "Rights not charity", "Nothing about us without us" were bold new statements way back then.
We all know what Mr Wogan and his cronies did. They ignored us and have pretty much continued as if nothing had happened. Lenny Henry and the other, original Comic Relief organisers, however, started up a dialogue with us and asked what they were doing wrong. They listened when we explained and took our criticisms on the chin.
From this small step many of us began working with Comic Relief (arguably the ONLY such charity to have agreed to work with disabled people on our own terms). Some of the results have been the increased involvement of disabled people in the organisation, funding being directed towards organisations "of" rather than "for" disabled people and changing the "tragic but brave" stereotype that so damages our struggle for equality and full citizenship. (And it became an approach they've used with other groups they support, too.)
Those of us who are really long in the tooth will remember that landmark training resource "Altogether Better" which was so vital to disability equality/disability action training throughout the 1990s and beyond. Perhaps for the first time, it enabled Deaf and disabled people of all ages to tell our own story through the video clips and materials it brought together and it tackled some highly controversial issues head on. Who funded it? Well, Comic Relief actually.
So please guys, hammer Cameron and his cowboys as much as you can. I'm with you on that. But don't risk sabotaging probably the only organisation of this type which, in my opinion, has worked hard to take our issues on board and provided a level playing field for us all to operate together on.
Thanks for listening. Rant over (for now!).
Having been out of things for most of the last 12 months I was saddened to hear that the political activist and god-father of the disabled people's movement Vic Finkelstein had recently died aged 73.
Originally deported from South Africa in the 60's for his support of the anti-apartheid movement, Vic was the main architect of 'The Fundamental Principles of Disability', published in 1975, which argued that the problems faced by disabled people were caused by society's failure to take account of their needs, not by their impairments.
In 1972 when Paul Hunt wrote his now famous letter to the Guardian, calling for a radical new disability organisation to be formed, Vic eagerly got involved along with other politically active disabled people in the UK.
It was the resulting organisation, called the Union of the Physically Impaired Against Segregation, that published 'The Fundamental Principles of Disability'. Not only was Vic a key participant in the discussions that produced this document, but he was the main drafter of it.
He was also prominent in setting up the British Council of Organisations of Disabled People in 1981 and became its first chair. In the same year he represented Britain at the first world congress, established by Disabled Peoples' International.
'To deny or not to deny disability' by Vic Finkelsteinhas been hugely influential to countless numbers of both disabled and non disabled people new to the Social Model. Both simple and profound, it shows how that it is society that creates the barriers, and not our ‘defective’ minds and bodies, as the Medical Model would have us believe.
Vic was also instrumental in setting up the first Open University Disability Study courses, working with Colin Barnes and others at Leeds University.
My own memories of Vic are based around the comments he used to send me whenever one of my cartoons had caught his attention. Not one to mince words was our Vic and I learned a lot from him in this way. He'll be sadly missed.
The Guardian's obituary of Vic, by Mike Oliver, can be found by clicking on this link.
Hi boys and girls.
You'll be pleased to hear that I've made about 200 of my more recent cartoons more accessible by uploading them to a unique Flickr site. The cartoons have been split into sets and you'll find a hot button for each set on the right hand side of the page. Alternatively you can hit the 'slideshow' link and see them that way.
If you want to use any of them as part of our continued struggle towards full equality, please do so (you can cut and paste).
All I ask is that you direct people to my web site - www.crippencartoons.co.uk - Thanks.
Click on this link to access the Flickr site.
As many of us will know, being a disabled artist and not allied to any group or organisation, it has always been extremely difficult to obtain funding. And those of us who produce work that has an overt political edge are even more handicapped (sic) by the funding system.
That's not to say that groups and organisations of disabled people who have applied for funding have had it any easier. For example I'm aware that our esteemed Editor Colin Hambrooke spends a large amount of his time searching for funding and then completing the endless application forms that inevitably go with this - and Disability Arts on Line (DAO) is one of our more established disability arts organisations.
And now the bloody CONDEMs, not content with slashing our benefits and support services have declared their 'Big Society'.
This involves not only the big disability charities coming back to haunt us with a vengeance (click here to see Crippen's political blog ) but also brings in the big corporations. These corporations will be encouraged to offer sponsorship to artists, including disabled artists who will be expected to compromise their art in order to obtain funding from a specific commercially oriented funder. Funding organisations like the Arts Council may well become redundant in this scenario.
And let's not forget the new funding process called the 'National Portfolio (NP)'. This is going to change the funding landscape yet again as the system of having Regularly Funded Organisations (RFO) is overturned. As usual most of the funding will probably go to organisations like the Royal Opera House (ROH). The subsidy on bums on seats at the ROH exceeds any other subsidy for the arts. So the toffs are being subsidised at everyone else's expense ... what a suprise!
Cartoon in the pipeline re the National Portfolio ... watch this space!
One of the groups of Disabled people I enjoy producing artwork for are the editorial team of Discover magazine, the ‘voice’ of disabled people in Cornwall and the quarterly publication of Disability Cornwall.
Not for them the black and white photocopies of several A4 sheets, stapled at the corner and containing inaccessible text and artwork (often my cartoons, which I produce in full colour, end up looking like an indecipherable mass of greys and blacks with no real clue as to their content!)
Each issue of Discover is professionally produced in full colour, containing news and views from the many disabled people living in that part of the world, along with photos and illustrations that can be easily accessed.
Here’s one example of a cartoon I produced for the summer 2010 issue and involves a tale of frustration from a disabled reader regarding her attempts to obtain a new prosthesis!
For more information about Disability Cornwall please click this link.