Thrilled as I am to be representing Dao at the Fringe this year, from even the briefest glance at the programme I can tell I'm going to be a whimpering, knackered mess by the end. There are so many performances and events by and for disabled artists this year that I'll need equal amounts of speed, spirulina and 'shut up, you have the coolest job going' to keep me going.
Unlimited and the British Council are in town, and shows touching on everything from mental health to mortality can be found across comedy, theatre, dance, music, events and cabaret. I'll also be getting jacked up on professional development at events at Zoo Southside, Summerhall, Forest Fringe and Fringe Central.
Colin Hambrook and I will be up reviewing and schmoozing from August 23rd-31st so if you see us do please say hello.
A few of my top tips and tantalising treats for your dance cards are as follows:
Dive Cabaret: Last year the lineup included some of the most riotously profane signed poetry imaginable, and as DIVE organisers Annabel and Annabel have started working with local disability social network Get2gether I'm hopeful of meeting some new pals AND expanding my pornographic BSL vocabulary.
Good for: queer cabaret, inclusive programming, dirty thrills.
iF Platform: A gorgeous collection of leading UK disabled artists covering heaps of styles and approaches curated by Stopgap. I'm particularly looking forward to Jo Bannon's Alba; her sensitive style and chic aesthetic make my heart sing. Touretteshero's Backstage In Biscuitland looks like an absolute scream, and our man Rowan James' Easy For You To Say looks like it'll ring my bell politically, despite my mild allergy to beat-boxing.
Good for: connecting the regional dots of the UK's rich scene, assured quality.
Black- Le Gateau Chocolat: The first solo show from international operatic drag star Le Gateau Chocolat promises a soulful look at what a picnic it is growing up black, gay and depressed in Nigeria. Having seen Gateau as a cabaret performer many times I am already in love with his voice and adorable stage presence, and Black is top of my list for confessional one-handers.
Good for: knee-tremblng vocal talent, testing the resilience of waterproof mascara.
Abnormally Funny People: Celebrating their 10th anniversary this year, Abnormally Funny People has a rotating all-star cast of stand-ups bringing you their best bits every night, including Gareth Berliner, Eshaan Akbar, Liz Carr and Tanyalee Davis. This is where mama keeps the juice; go at least twice.
Good for: variety, famous faces, songs and laughs.
Bryony Kimmings- Fake it Til You Make It: Bryony's previous work on sex, celebrity, feminism and drunkenness make her something of a performance pin-up of mine. Partnering with her fiancee Tim to present a work on severe clinical depression, masculinity and love with her trademark humour looks to be another in a long line of hits for her.
Good for: fantastic aesthetics, frank humour and live-art influences.
Guerilla Aspies- Paul Wady: I'm a sucker for a spoof lecture, and Paul's whip-smart daftery should do really well to promote his book 'Guerilla Aspies- A Neurotypical Society Infiltration Manual'. Aimed at preaching to the unconverted but with plenty of insider jokes for his fellow aspies, Paul is on a mission to help you 'see things our way'.
Best for: TED lovers and haters, slideshow junkies, fact-finders and newbies.
Euan's Guide: Not a show but a resource listing and reviewing venues for accessibility. You can also get helpful info from the EdFringe website.
Anything I simply MUST see? Stick your recommendations in the comments below please, and I'll get back to trawling the programme for even more goodies to check out.
In the week dominated by coverage of Martin Sheen’s speech on the danger of middle-of-the-road politics whilst the NHS is eroded I found myself sporadically weeping into the pelt of a Golden Retriever called Archie and plotting to blow up Parliament. Welcome to arts administration.
In preparation for Liz Crow’s new sculpture performance ‘Figures’, I had the grisly-yet-illuminating task of copy-editing 650 stories of the human cost of austerity, each one to be represented by a clay figure made by Liz. At the office of CoQuo, the digital agency supporting Figures, I plugged in, caffeinated, and nearly dislocated my jaw from the number of times it dropped in disbelief.
As a borderline anarchist, the depths to which the authorities will stoop to do over the public in the name of budget cuts didn’t come as a total surprise to me, but my ignorance as to the situations of some people claiming Disability Living Allowance or Personal Independence Payments was a bit of a shock.
I knew when starting this training that my limited experiences of personal disability were going to be challenged, something I am grateful for, but the total outrage I felt at reading the unfair ways in which claimants have been treated was a baptism of fire into disability politics that has brought me, still smoking, to total belief in the relevance of Liz’s arts activism.
People are dying waiting for their PIP re-assessments, families are being put under terrible pressure, and press propaganda is turning neighbours against each other.
The metaphorical clay from which we are all fashioned will, I hope, be transformed into literal protest in Liz’s hands, and I will be there, along with CoQuo and Dao to support this performance as it happens. Archie, my respite hound friend, will unfortunately not be in attendance as he is enjoying a retirement most humans would be lucky to have.
Matthew Fessey of CoQuo made an interesting point about the power of digital media; in that whilst only a few hundred people were in attendance at Martin Sheen’s speech his message has now been spread to millions thanks to a couple of smartphone cameras. Whatever our stories we must document them; the status quo cannot be trusted to record an accurate history.
Make art, share stories, shout loudly.
As I finish writing this post I have just received the great news that Trish and I have been accepted as Joint Fellows of the CultureHive Digital Marketing Academy; we applied with the intention of upskilling ourselves in the promotion of disability arts projects to even wider audiences.
Watch this space artists, or better yet, fill it!
Please sign up to follow @WeAreFigures on Twitter, where the 650 stories will be shared.