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Penny Pepper's Blog - disability arts online
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Penny blogs. There's a little sunshine and lots going on / 10 March 2011

In the foreground a woman plays a cello. Behind her a woman sits in front of a sheet on a music stand

Penny Pepper with Jo Cox on cello, at Shape Queen's Award Ceremony, National Theatre, Feb 2011

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The sun licks across my window and lures the blossom to bloom. At last! I’m bouncing off the walls, full of seesaw moods, happy-sad, melancholy-joyful, and dripping with creative sap. Mustn’t fall off the tightrope mind you. But isn’t it lovely to see some sunshine?

The last week or so has been a cram of activity. A new story ‘Nippy Days’, only written about 4 weeks ago, was selected to be read at ‘Are You Sitting Comfortably?’ - a story telling event run by White Rabbit Theatre

The theme for stories was sex, and I hadn’t touched the subject for some years. How could I resist? The venue was Tonybee Studios, in the hip East End of London, very near to lively Brick Lane. The event offers free chip butties and ice-cream. Definitely a happy Jackanory time for grown ups.

I had a great posse of peeps to support me, including DAO blogger and all round superstar Sophie P. The venue was packed to overflowing and us wheelies edged in, causing happy chaos in the café. The actress who read my story did a great job and selected writers had the opportunity to send the stories to Ether Books, who publish to mobiles. I await their response with the usual mix of nerves and excitement.

A few days after this, I was performing at the cabaret event ‘Sunday Service’, at Carnivale, opposite Brick Lane (again!)  This place has atmosphere, a hint of tatty grandeur and a suitable seedy edged cabaret charm. Access through the rear, passing by mysterious collections of grave stones, there was an accessible loo (rarity) but alas not to the stage.

With Jo Cox giving me her usual wonderful support on cello, staking a space on the floor, we opened each half of the sets and the audience seemed to lap it up. I will never forget the crowd urging me on to do the ‘Protest Song’, throwing in their own ad-libs and drumming on the tables. Maybe with a little help from our dear editor I can supply an audio file as I recorded most of the set?!

Pausing for a brief breath, next I’m preparing for my poetry and spoken word drop-in workshops for Shape. Technology did rather mess up my grand plans to play Youtube examples of different poets and styles, including Ian Dury doing ‘Bus Driver’s Prayer’, but I hope I made up for it by encouraging the group to experiment with personification, which is one of my favourite ways of stimulating the imagination for a poem. 

In this case, giving inanimate objects human characteristics and taking that forward with a narrative or emotion. My prompt of ‘being’ President Roosevelt’s wheelchair resulted in some strong and interesting pieces from new and experience poets. I can’t wait for next week and hope more people will come along. (Roosevelt was a wheelchair user, a fact kept hidden from the public at the time). The workshops run every Tuesday 2-4pm until April 12th.

In between all this, I’ve finished a short film-poem, The Lover, a homage love letter to Leonard Cohen and almost finished an absurd little film about an item of disability ‘charity’ ephemera, which I connect.

My life is a crazy one on multiple levels. During all this wonderful activity I’ve also been a bit sickly, doing my pallid invalid impersonation, and been to court! Weird.  

Never once, even when wobbling close to a dip-down or a fall, have I regretted a moment of being so immersed. I might be hyper but I’ll enjoy it if that’s OK. 

Keywords: access issues,borderline personality disorder,cabaret,disability art,fiction,film,ian dury,london,performing arts,poetry,spoken word