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Origin and Insertion. / 28 October 2012

Having trouble with the precise positioning of Kosta's pecs, I decided to try Google. Before beginning on the life-size figures I did do a lot of research, which included borrowing medical tomes and studying anatomy on-line. However I never actually Googled a specific body part, and here at my first attempt found apparently exactly what I needed: Origin and Insertion, including details of the specific ribs these muscles are attached to and how they are attached.

This is particularly appropriate as I'm trying out a new way of putting the figures together, with all the defining muscles now underneath one skin layer. The problem of insertion was foxing me and resulting in Kosta's pectoralis major looking unnaturally high on his chest. Well, we weren't quite talking about the same thing, but I did actually find the Wikipedia article very helpful, and so did Kosta.

 

I'm having to work hard to stay focused on the sculptures because the Con.Text conversations are beginning to form themselves into text which is demanding visual interpretation. This, though very labour intensive, is fun and quite addictive, whereas the soft sculptures are physically painful to produce, but something I really need to do.

And then of course there is all the arts admin stuff, life, love, house'n home to keep balanced. These have to be glory days.

 

Out here, on the very fine edge

where pain, exhaustion, depression, are

held in precarious balance, I

risk being totally destabilised

by the ignorance of the witch-hunt

determined to demonise my need;

to expose a criminal cheat in the

monumental effort I make to

present myself as equal,

intelligent, creative,

attractive and

human.

 

 

 

Keywords: con.text,disability art,diverse perspectives,everyday experience,poetry,sculpture