London 2012: 2 / 22 July 2012
Via Westminster Bridge and a complex of old buildings with a clock tower, we attempted to reach Trafalgar Square. Olympic Detours and fenced off areas took us through Whitehall and a photo opportunity with some gentle, patient horses standing beside a big label warning that they might kick or bite.
Along our route, a long, long queue of London taxis, progressing slowly and very noisily with much horn honking, was the cause of much laughter.
The prominent Olympic Countdown caused mild amusement, but the young people drawing flags on the paving, and the 'would-be' statues standing motionless on soap boxes, attracted the most attention.
With a passing nod to the lions in the Square, we made our way into the National Gallery.
Secretly hoping to steer the party towards the Sainsbury Wing and Metamorphosis, I nevertheless resisted the urge to cheat and followed my guests on their whimsical travels through the complicated unsignposted space. Looked at through Asian eyes not much of it seemed to make sense, but the individual talents of the classical European artists on display, were much appreciated.
Do you have a guide?
Oh no, we have far too many rooms for that.
Well some way of finding our way around?
We are a very big place, we get many visitors
we could not possibly afford to do that.
Perhaps just a map of the layout?
There is a Plan. At the entrance. And her tone speaks:
idiot; but maybe she didn't know
they don't have one in Chinese.
And maybe she is unaware
of cultural diversity.
Keywords: access issues,diverse perspectives,exhibition,gallery,london,other cultures,poetry,wheelborne