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Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Return to digital.

6 February 2012

Blog

Skull of a small bird on a black background

It has been my aim to get Con.text online, not as a downloadable PDF (although that is good too), but as an instantly visible artwork and this week I have been happily distracted from my drawing by the chance to work on putting Con.text on DAO. Actually I do enjoy working with the computer, and taking a break between words, I do not resist Photoshop for long. My retreat from the digital doesn't last. I might dither, I might hide, actually I might be addicted; I do wish I could do more. With...

Comments: 1

The creative case for … visibility.

22 February 2012

Blog

Empty blue wheelchair on a black background

I’m finding communication hard at the moment; a familiar phrase that I read recently has rattled around in my head until I googled it: I am invisible, understand, simply because people refuse to see me. This is Ralf Ellison writing about Negroness, but could just as well be me. Or could it? Because my own visibility is invariably surrounded by the negative visibility of my wheelchair I do often forget that when using it, I am invisible. We share my personal space and its easy to forget...

Comments: 3

More on visibility…

25 February 2012

Blog

close up of an eye from a pen and ink portrait on paper

I've been thinking more about visibility since Wednesday when I watched a fantastic performance by StopGAP. In dance, the wheelchair attempts to shed its magical cloaking properties and without it a dancer’s personal space shrinks to that required by skin and bone.  Dancer Laura Jones set me thinking about my own special relationship with metal, rubber and memory foam. Never having worked with a wheelchair before, choreographer Thomas Noone took Laura's away. And enabled the...

Comments: 0