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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

The Chairborne Identity

4 July 2012

Blog

close-up photo of the inside of an open heart-shaped box. The box is bright pink, the background black and white

I should give you my car-keys, you could park my car anyday. That's amazing, I couldn't do that with a wheelchair. You really can get around in that tiny space, well done.   And I boil. Spontaneous anger drives me to growl: Carkeys? Hand over your spine, I've got wheels of my own. You are so clever walking; I couldn't, not with those legs! And: Congratulations, you really do work those legs well, amazing you don't even fall over...   There is no real logic to this rudeness. I wasn't...

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Having choices = being human

5 July 2012

Blog

With the open heart-shaped box as background, there is infront of it an NHS wheelchair and a yellow ferrari

My new skinny-wheeled powerchair doesn't seem to be fussed about getting its controls wet; I'm starting to believe that they might actually be weatherproof. Chunky-chair would splutter and stop if I neglected to wrap the joystick and control panel in plastic protection. Chunky's wheels however would take rain in their stride, and were never phased by leaves on the road. Not so with the skinny-wheels. That slightly oily surface that glosses city streets on rainy days is a factor to be reckoned...

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Society: the accident that traumatises.

6 July 2012

Blog

The open heart-shaped box of the previous two blogs is repeated here with the words 'wheelborne was here' floating in the foreground

On the road to equality, I often feel strangely disempowered by the process of Disability Equality Training. Why is it only the temporarily non-disabled who get offered a training opportunity? And why only on occasions? I rather fancy the idea of some training myself. Not exactly the same kind of course, but there must be skills I could practice in order to combat the negative effects society has on my moral and there must be advanced skills I could use to influence or change the mindset of...

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The body project.

29 July 2012

Blog

Close-up portrait of Kouros's stitched white muslin face, on grainy background

The Hayward Rat (Rattus Flattus) has proved positively inspirational. There is work queuing up to be let out of my head and there are days when this queue and clamour paralyse my choosing process. The Hayward Rat has brought Kouros and the body project right up to the front of the queue. The body project aims to resurrect Jessie from 'Bare Boards and Blue Stilettos'. At the time, she made dramatic impact, but I felt she needed to be a little more explicit. I was asking people to use their...

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'People Like You' - the exhibition coming to Salisbury Arts Centre in March.

23 February 2013

Blog

Words from Creatives in Con.Text hand drawn in black ink on white

Creatives in Con.Text, the work from which the idea for this exhibition exhibition evolved, is awaiting further conversation with a printer, Sue Austin and Liz Crow are finessing 'Creating the Spectacle!' (film) and 'Bedding Out' respectively; 'People Like You' is coming together. It's time to think about design; the positioning of the artwork in the space so that the whole will say more than the sum of its parts. The five...

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