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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Tweet failure; 'Headlining' disconnection.

21 June 2012


photograph of a white glass vase with grey stripes, it has a pleasingly plump balloon shape . a flare at the neck and sits against a bright pink background.

Gini blogs about the Headlining Disability Shape event at Southbank Centre. Has anyone else compared twitter to a glass of wine? Wheelborne, a glass in hand stops me in my tracks; wheeling requires both hands. So does tweeting. Even when I'm in the powerchair one hand is occupied with the controls and moving around  requires constant re-evaluation of the geography. So I have to stop still to drink or tweet. Wheelless seem to stop anywhere, not even bothering to tuck themselves into...

Comments: 2

My very own one-woman Shape Open Fringe.

4 May 2012


pale, fine lines curling, floating on a turquoise background

I once heard Anish Kapoor say something along the lines of "my art works because I have nothing to say" which struck me as very odd. Triptychos Boxed is a glance at the aspirations of faith and mythology from a wheelborne perspective. A collection of previously loved small boxes containing references to aspects of faith, they also focus on the 'get up and go' that, chairborne, I both long for and reject as irrelevant. This is my first conscious attempt to make work that 'has nothing...

Comments: 2