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The Creative Case for... NDACA

When it comes to fancy dress I think I make a pretty good Borg Queen. And if the conversation dries, I can always announce: 'Resistance is futile, you will be assimilated' - which brings me neatly to the question of integration and, whilst I'm stitching sculptures, my current concern: 'Will Integration kill Disability Arts?'

Are we only here for the interim between barbarian past and enlightened future?

Will the real or imagined possibility of being embraced and valued fragment any hopes of recognised cultural diversity?

When the barricades come down will we have anything left to say together?

 

But are we actually on the brink of this much hyped adventure?

And after Integration will it matter who tells our history?

Who knows? These thoughts wriggle around in my head while I stitch roots.

 

Have we given enough thought to what we actually do want? Before we get there, we need to have realistically explored the options; we need to have taken responsibility for our Culture and ensured it's visibility and accessibility.

There is no way forward without this: we should be the keepers and curators of our past, present and future. If one day we should morph into Them, we will need to do it on our terms.

Then again, it is possible that we are not actually heading for any kind of Integration at all; that some of us are just trying to hide amongst Them in an attempt to avoid persecution.

 

 

Kneel and I will knight you

for services to the

Disabled Community.

Kneel and I will rest this

edge upon your neck.

Symbol of a less enlightened

past; heavy on my frailty;

it falls to leave your head

rolling in the aisles.

 

 

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Posted by Gini, 20 August 2012

Last modified by Gini, 20 August 2012

Commissioned conversations, another Con.Text

 I am totally looking forward to making an official start on my DAO Diverse Perspectives Commission conversations!

After sitting in residence at Salisbury Arts Centre last year and creating my first conversation/ text work they were keen to see me develop the possibilities. Initial talks with the then Director of Salisbury Arts Centre focused on a visual presention and People Like You, the exhibition, began to take shape.

I have already started on the preliminary writing, but it is important to me that words do not dominate my creativity. They leap so instantly into every situation, swamping the slow simmer that, given half a chance, will boil up into something visual, tangible and 3D.

My life-size figures are on such an evolution and for me, essential to the journey. I began creating them in 2006 and they are evolving to express the wordless things that lurk in hidden corners.

Working on them I can choose to fill the silence with music (which inevitably lures me away on parallel paths), or I can listen to the words that peep out of my subconscious to tease and chivvy me with their own need for expression. Here I mull over those persistent issues of equality, diversity and integration, I worry about the future of Disability Arts and, like a homing pigeon, the access issue is constantly returning.

 

 

Bodies take shape

under my needle:

surgical stitching

sees muscles swell and

contract, inch lower,

shift with the placement

of limbs. Limbs that form

with thoughts; ideas

prompt their creation,

ideas inform

their construction,

Ideas that by-

pass words; thoughts that

travel the careless route

to a reality

where fact and fantasy

dance together.

 

Posted by Gini, 18 August 2012

Last modified by Gini, 18 August 2012