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Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Finding head space

30 January 2012

Blog

Japanese flower shaped sweets - four of them on a black background.

Deconsecration: Maria Francesca Tassi and Francesca Lazzarini Curated by Sara Falanga Salisbury Arts Centre, 13/01/2012 to 25/02/2012   My image has been progressing  slowly, old pens do get scratchy so I have bought new ones and they glide smoothly over the paper, quickening the drawing that finds itself as we work together. Am I turning my back on digital expression? Am I sulking because the technology seemed beyond my control? Or just retreating into the comfort zone while I figure...

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Waiting

22 April 2012

Blog

Three little red and white flags

The Dawn Chorus seeps into my consciousness with liquid joy. Night brought sleep, so I open my eyes with a question. These days play out on a yo-yo string, some are stretched out towards the promise of wholeness; some like this one are curled in on the pain. And waiting an unfocused kind of waiting, between moments that I try not to fritter away. Yesterday comes like that when I wedge myself against the garden wall and paint a long view. And later I watch the birthday flags waving from...

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Soft Sculpture - body project

14 August 2012

Blog

four white fabric nipples arranged in a square on faded grey decking, seen between blossoms of a whit agapanthus plant.

The agapanthus in my green and white garden has never looked more stunning. A jungle of green shades and textures surrounds and inspires my outdoors working. Sun warms my bones and enables these quiet moments when pain takes second place. Indoors my floor is strewn with body parts. And Jessie has finally lost her hair. I have been reluctant to remove the long black dreads, but since Kouros, my soft sculpture figures have had no hair; Jessie, who is being worked on from (what were) the toes up,...

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