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> > Gini

Artist and wordsmith, whose work engages with issues of access, from acknowledged physical needs to perceived symbolic exclusions. After being selected as one of DAO's New Voices in 2011, Gini's online presence has become an integral part of her arts practice

Re-imagining Wheelchairs

18 March 2012

Blog

pen and ink drawing of a distressed bird

Last weekend I attended a performance related workshop; I had completed two application forms, one for me and one for the chair. Currently the chair, my chair, and I are in a difficult relationship because I never quite got over my month with the skinny-wheeled Japanese model. The workshop was fun, creative and quite demanding. I poked and prodded at personal boundaries as we explored ways of working autobiographically. During the process and all through this week I have been busy in my...

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Present Opportunity - accessible pavement?

17 June 2012

Blog

red background with a drawn line swirling in a blue squiggle

I had a meeting to attend, in my home town, just 8 minutes away in the car, however it became necessary to travel in my wheelchair so I allowed a good hour. It wasn't enough. Deeply shaken and in a lot of pain I was forced to abandon my journey after an hour. I was two thirds of the way there. Wheelborne, do I have the right to expect that a pavement should be accessible and traversable? Do I have the right to expect that a dropped curb should facilitate my safe delivery to a second...

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Relay

25 June 2012

Blog

An image of the earth from space, set against a black background with partly visible words, the earth orb has its top third removed to create the image od a bowl, and contained within the bowl is Sue in her wheelchair, underwater with hair flowing freely.

Exhibition, 21 June - 14 July 2012, Salisbury Arts Centre.     Relay: handing the baton of inspiration through time and across disciplines, has produced this exhibition at Salisbury Arts Centre. I should, at the outset, declare my involvement, both as an artist and wordsmith and also as member of LUAN (LinkUpArtists Network) whose work, together with images from LUAN member Sue Austin's 'Creating the Spectacle!' represents LinkUpArts' presence as one of Salisbury Arts Centre's...

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Earthbowl 2; hinting at things to come?

26 June 2012

Blog

An image of the earth from space, set against a black background with partly visible words, the earth orb has its top third removed to create the image od a bowl, and contained within the bowl is Sue in her wheelchair, underwater with hair flowing freely.

The eagle eyed DAO reader just might have noticed that the image used (yesterday) in Earthbowl 1 was not actually from 'Creating the Spectacle!' 'Portal' (2008), that iconic picture of Sue Austin under water in a wheelchair, was however our first hint of things to come - watch this space! The Earthbowl series continues with an image from the early development stages of the project when the chair was still being refined and Sue was still learning how to control it. Earthbowl 2 contains an image...

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Earthbowl 3, Fleet Lagoon

27 June 2012

Blog

An image of the earth from space, set against a black background with partly visible words, the earth orb has its top third removed to create the image od a bowl, and contained within the bowl is a third image of Sue in her wheelchair, underwater with hai

I could hardly sleep a wink last night. I might have been a little busy this week, but today has had big, bold, red pencil marks all over it for a while now. Depending on the weather, the tides, fate...Today is the day! Today, in filming for 'Creating the Spectacle!' the underwater wheelchair takes what anyone could only describe as the absolute scariest part of it's journey. I'm heading for Portland to be witness and part of the audience for this stage of the project. I shall be...

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Earthbowl 4 - Homo Sapiens Sapiens.

28 June 2012

Blog

An image of the earth from space, set against a black background with partly visible words, the earth orb has its top third removed to create the image od a bowl, and contained within the bowl is the fourth, close up image of Sue in her wheelchair, underw

This is the last in the series. The timing is deliberate - this is my contingency bowl. In case time and tide conspired against 'Creating the Spectacle!' In case the event was cancelled; in case the worst case scenario swallowed up the adventure and the underwater wheelchair disappeared into oblivion. But actually it also makes a rather splendid trophy to present, with a fanfare, to all the successful participants of the most carefully prepared and choreographed adventure - the journey across...

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Confronting demons.

7 September 2012

Blog

a row of crutches, just the bottom section, black and white, with the word sheep sliding very faintly over them in red.

Meet Fred. Meet George.   I hate them both. Totally interchangeable hatred; one left, one right, mirror twins. Totally interchangeable names. I knew a man who hated sheep, he said that sheep have only one raison d'etre which is to die in the most inconvenient place possible. Fred and George must have been sheep in a previous life.   Now they are just sticks. Metal sticks with plastic cuffs and hand-shaped branches, whose sole purpose is to crash to the floor as frequently and...

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My 2012 day (does include a performance of Menage a Trois by Claire Cunningham)

9 September 2012

Blog

Duplicate of the Demons image from the previous blog, this row of crutches now has candle wicks with flames burning from five of them.

Shambolic as it turned out to be, my London 2012 day was an accidental success, so sitting in the dark with a dubious view of the Queen Elizabeth Hall stage, the edge of my apprehension was blunted by an ok exhaustion. My first impressions of a group of murderous sticks served to reinforce the stereotypes generated by my crutches Fred and George; I sent frequent glances towards the putative security of the exits. Nameless as Claire Cunningham's crutches were, they still managed to sign Fred and...

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Post Oparalympiad

10 September 2012

Blog

A wooden figure, the kind artists use, in shades of blue grey with a bright pink heart on a black background

Digital friends, electronic social life, podcast entertainment, filmed performance: all good, but no substitute for the real live thing. Not living in London, access (including financial access) to the phenomenon known simply as 2012, was problematic. Knowing no local people with any real interest in experiencing the Cultural Olympiad, I actually felt far more isolated than involved.   I was at the mercy of the media, and misleading statements like The Best Disability Arts practitioners...

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