Today I revisited Design Sight 21_21, the design exhibition space of the Issey Miyake Foundation, created by Issey Miyake and Tadeo Ando.
Tema Hima - the Art of Living in Tohoku, was exactly that. Film and exhibited objects described the traditional ways of sourcing food and tools that are being practiced in Tohoku, site of The Great East Japan Earthquake.
Visually fascinating, informative and an advocate for the inspirational quality of this way of living holding a key to future survival, this exhibition was exquisitely curated and absorbed my attention for several hours.
The artists and craftspeople who put this exhibition together believe that the future is potentially a dangerous place, and that to be knowledgable and capable of feeding yourself and local community is one kind of utopian space.
At the National Arts Centre, now celebrating it's 5th anniversary, were two special exhibitions: Cezanne, Paris - Provence, and 400 years of European Masterpieces from the State Hermitage Museum.
There was also a massive and well visited exhibition of local artists, the amateurs, as the staff apologetically described them. There seems to be no middle ground, you are famous, international, or nobody; this seems to be one of humanity's universal directions.
But maybe in their search for what it means to be Japanese, people here have not really bought-in to this notion of what it means to be famous; maybe the apology is merely thought appropriate for a foreigner like me.
I was certainly impressed by the scale of local talent which seemed both more international and more Japanese than last year.
And this year there appeared to be a selection of wheelchairs and baby buggies available for visitors to borrow, with even the possibility of a volunteer to do the pushing.
Nobody exhibits in the
National Art Centre.
Nobody has ten
with 5 metre
ceilings and 20
makes good space.